! ! ! DAILY!CHANGES!! o o Top of Show "MOST BEAUTIFUL THING" Tory and Adinah enter Stage Left 1 with sewing carts for "To new beginnings..." Finger holes cut in Murphy bed o Scene 1.11 "Mrs. Cobb" scene CUT o Scene 1.14 "EVERYBODY SAY YEAH" New red boots! o o Scene 2.4 "The Argument" George's rejected boots are now BLACK AND PINK Trish's rejected boots are now BLUE SPARKLE o o Scene 2.3 "IN THIS CORNER" Paul will not be on top platform or move ladder Andy and Paul will now move ladder together at the end of the number o Scene 2.6 "SEX IS IN THE HEEL" Reprise Stark's Jacket will be preset with luggage going into airport scene o o o Scene 2.9 "FINALE" Shoe alarm will sound for Billy's entrance Steps will be attached to runway for when JJ and Andy push it downstage Staging into "Just Be" adjusted for "Live, live" cuts o o o o o Bows Reminder: bow order & exits Kyle Post move downstage right runway piece into line Joey Taranto moves downstage left runway piece into line Billy and Stark enter upstage for bows Angels move runway back to "T" after Billy and Stark bow ! ! ! ! DAILY!CHANGES!! SCENIC NOTE: All sewing carts have new swivel castors Scene 1.1 "MOST BEAUTIFUL" o New tempo and pace for vocals and staging in "MOST BEAUTIFUL THING" o Andy Kelso will exit Stage Right 1 with rack after Young Lola and reenter Upstage Right through the "door" of the platform to get skins from Trick Trolley Scene 1.5 "LAND OF LOLA" o ANGEL cutoffs for "Lolas" are 8, 8, 9 Scene 1.13 "YEAH" o New first treadmill position onstage o Red boots will appear after cutoff for "Destiny" Scene 2.3 "IN THIS CORNER" o Spotlight changes o Freezes added for "What's the matter Don..." through "...pirouette too" Scene 2.4 AND 2.6 o Trish will now use a PINK pair of boots for both her rejected and approved boots. However, please only use ONE boot in the rejected scene and the pair in the approved scene. Scene 2.8 o New underscoring getting into "Milan" Scene 2.9A o The three fanfares into runway will be closer together and faster MORE!ON!BACK!>! ! ! ! DAILY!CHANGES!! I.1 "MOST BEAUTIFUL THING..." o Adjusted vocal parts in the beginning and end of the number. (Please see music.) I.8 "STEP ONE" o New song replaces "I Come to the Rescue" II.4 ARGUMENT o CUT "So Long, Charlie" - now just scenes until "Soul of a Man" II.9A "RAISE YOU UP" o Adjusted choreography for Billy & the Angels in the "runway show" prior to vocal. ! - 7 9 7:0 I . 'If.11 131' T3 :33' . .. I /in' 'gunni- Ml'. -- IIOI -- - . . . 7' I ?37-7' LOLA Bocfs 5,2 moo 541: 7 it; . <15 t:'e:zJ'7' LAu.eevx' Ur' aw-..A -1 'pf. . I :7 I1, - fix Pubg IZLTATE KLS u5r4?/1? 731* . A. owed Puff Up PULL EC Dow: Smezsa (Zoe: FT up 1! 07' 0/ 'Dov-JrQtibt?t .- X3 Production Meeting Notes 1/15/13 IRA/ANNA: Discuss the moon 's first entrance being low, and it rising as the carriage takes flight. Pace? Exact cueing? LX: Mark is a fan of a less orangey clock, though will wait to see it with clothes ..pROpS : edl i we I la ve i Ilagnets-to aHaei . tile i a9 bagid life flre *ptaee.2... .-SQIINP ' I IIOil 'S vOIces Ii I "I Ie ooas tall" rY'R8f'S . please 8dd ~s"ir\'" a foam IinEil r to the rectangular stool that Ella stashes her glass \I~r\eM N. __ . COS~ES: what are theJbr,e.~rass..rle Gkalces like? what chains are we ~filg. I thi ~rmtn hSive mader7e quest with Stage Management that they close ~tlfTI1an the 1;ei1e'ii1Sal ones OP&.-Et~RIfi rmifft"jOl:'l"' ? -~.., ~ o - OPS: confirming: the stool for the pianoforte will be the one we finally landed on today or aUeast tge .H GHl olowha we landed on today PROPS: powciet"f5uff . powder puff "paper pia e ,.? ( PROBS;.eal'f'in ~Ttro"lM'oro alrl'i"e ne on'trte'"ffil5ron e .- =i~LY ni~n'eprise" we~aad seconds toi he upslagechollse interio SGYNC/GOSl'I;/MES: placement of Puma's mic? ~UT OF HERALDS call the trees coming on as soon as the last guy exits ~s il'l dOm ? a e tog, a Wbag-:,we need to add a book sleeve INSIDE the bag that is close e 0 ~ ook lies just under the elastic line PROPS: FOR GABBY'S DRAWER -want to make sure there is padding inside that doesn't take up too much space -want it to close silently, not with a "bang" -want it to stay open until she closes it (i BELIEVE this was achieved) PROPS: magnets in the table top need to be inserted into the table top, not taped on ..f.BQRS;.smalier-caricffestick bottom ~ ETS : what is your plan for set dressing above the fireplace? what's left? o \J e.KL Production Meeting Notes 1/15/13 PROPS: J-M's flowers that he pulls up -bigger bulb -bigger bulk of roots -more greenery + leaves -messier Ii\, H 0 ~ 4 I fI \f I -LluV.... el\-I Nr COSTUMES: .1Ie iIQUp:Re8tSa:(]1Jeer 2) petusest Co SlUMt5\ ? t'~ NtlI C.M..1 4-6,(- ' '?'~~ .f PROPS: J-M's wine bottle -the cork should be able to come out -the cork can be bigger, easy to take out and stick back in UN rJ~1 ( T .x SETS: the doors for the china cabinet need to close silently and more gently GEN. MGMT.lSCHEDULE: want the orchestra for both sessions next Wednesday. ~ I !? tI '"'- 1lZe~ I~ l I FROM LAST NIGHT: LIGHTS: after midnight the clock's fade can be even slower. NOTES FOR TONIGHT IRAISKED: can we dry tech the "me who am I?" trees tomorrow morning? (if we don't do it tomorrow AM, we gotta do it Weds AM) SOUND: madame's carriage "cloppity clop" can be a little louder ~e!f:. PROPS: enough material in the rag bag so we believe an entire shawl and coat are in t h e ' needs a little stuffing to look full ... FROM THIS AFTERNOON: Josh vocal life of soldiers in "me who a I?" " they're oohing about ~: stage sOFflething for Vialli in "Fol De Rol" til her exit (the entire Gross) ~: when do fOlE and raoaoon aOffie out during the transition so? raooon was out the whole tiffie, fox oaffie out right before he was ffientioned (lox as a 100tFflan/raooon as a driver1 ~ stage Violli so she doesn't blooll the horses' entranoe would like to cut out a little bit of music prior to Cindy's entrance, it's a little long ~ GonfirFfl for us when you thinl< tiFfle tUFAS ~: change exit for Madame and Gabrie;le priDes is g:vinga bcH ~ MUSIC DEPARTMENT Andy/David Chase: too much music for "what would you dream of?/ an invitation to the ball I guess" David Chase: more magic moment prior to Laura singing in carriage Andy/David Chase: up the tempo on the girl business DSL with Topher and the ladies attacking him Andy/David Chase: Cut out a little bit of music prior to Cindy's entrance, it's a little long David Chase: the gavotte could use a little juice of some sort (very dry) David Chase: RAPTURE isn't as luscious musically as we'd imagined r? !tI-... ':'r' SCENIC + PROPS SETS;:g;umpklliOWa@oll t::tSF'I i , ~iew:iD"tlt&WiBgs"(Aflfla""fflel'llioned-tl>>>>